Eng.BhagavataVyuha History

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%right%For the love of God, Anand Aadhar Prabhu, Enschede 22 Febr. 2006
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%center%The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.([[bh:canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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%center%<I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.([[bh:canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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<B>R</B>eading S'rîmad Bhâgavatam one may wonder how Vyâsadeva came to the order of this book. The sanskrit text itself offers us no titles for the cantos, but the tradition does. So how did one arrive at these titles? The book itself gives us some clues to this. First of all describes Vyâsa in [[bh:http://bhagavata.org/canto1/chapter2.html#Text%2011"|1.2: 11]] how the unity of undivided knowledge is known by a threefold discipline, or <I>trisâdhana</I>, specified as the science of God concerning the aspects of the Absolute, the <I>brahman</I>, the Greater Soul, the <I>paramâtmâ</I>, and the person of all <I>bhâga</I>, viz. excellence, fortune and majesty, or <I>Bhagavân</I>. Another way to describe these three different disciplines in one breath is to say that in freedom from illusion with the Spirit of the Absolute, one, as a soul relating to the Supersoul in analysis connecting with the regulative principles, has to arrive at the Fortunate One to be there with Him of service as a person of God. So the basic logic, of step by step attaining to love of Godhead, that is followed in this text is known as the art and science of arriving at the personal of God departing from the impersonal of the Absolute Truth. Though the Absolute truth is nondual of nature and, relating to the Supreme Soul, a matter of local culture shipping with duality, is the conflict of the dual versus the nondual of realization solved in the personal of considering the object of worship religiously, and the explanations of the teaching in the politics of spreading the message.
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<B>R</B>eading S'rîmad Bhâgavatam one may wonder how Vyâsadeva came to the order of this book. The sanskrit text itself offers us no titles for the cantos, but the tradition does. So how did one arrive at these titles? The book itself gives us some clues to this. First of all describes Vyâsa in [[http://bhagavata.org/canto1/chapter2.html#Text%2011"|1.2: 11]] how the unity of undivided knowledge is known by a threefold discipline, or <I>trisâdhana</I>, specified as the science of God concerning the aspects of the Absolute, the <I>brahman</I>, the Greater Soul, the <I>paramâtmâ</I>, and the person of all <I>bhâga</I>, viz. excellence, fortune and majesty, or <I>Bhagavân</I>. Another way to describe these three different disciplines in one breath is to say that in freedom from illusion with the Spirit of the Absolute, one, as a soul relating to the Supersoul in analysis connecting with the regulative principles, has to arrive at the Fortunate One to be there with Him of service as a person of God. So the basic logic, of step by step attaining to love of Godhead, that is followed in this text is known as the art and science of arriving at the personal of God departing from the impersonal of the Absolute Truth. Though the Absolute truth is nondual of nature and, relating to the Supreme Soul, a matter of local culture shipping with duality, is the conflict of the dual versus the nondual of realization solved in the personal of considering the object of worship religiously, and the explanations of the teaching in the politics of spreading the message.
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%center%<B>T</B><i>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.([[bh:canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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%center%The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.([[bh:canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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%center%<B>T</B><i>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.([[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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%center%<B>T</B><i>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.([[bh:canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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%center%<B>T</B>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.([[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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%center%<B>T</B><i>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.([[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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%center%<B>T</B>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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%center%<B>T</B>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.([[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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'''''or the science of realizing oneself God as the Fortunate One'''''%%

%center%<B>T</B>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I>%%
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[+'''''or the science of realizing oneself God as the Fortunate One'''''%%+]

%center%<B>T</B>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"| S.B. 12.13: 18]])</I>%%
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Category: [[!Basic Pages]] | [[!English]] | [[!Articles]]
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For the love of God, Anand Aadhar Prabhu, Enschede 22 Febr. 2006

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<B>R</I>eading S'rîmad Bhâgavatam one may wonder how Vyâsadeva came to the order of this book. The sanskrit text itself offers us no titles for the cantos, but the tradition does. So how did one arrive at these titles? The book itself gives us some clues to this. First of all describes Vyâsa in [[bh:http://bhagavata.org/canto1/chapter2.html#Text%2011"|1.2: 11]] how the unity of undivided knowledge is known by a threefold discipline, or <I>trisâdhana</I>, specified as the science of God concerning the aspects of the Absolute, the <I>brahman</I>, the Greater Soul, the <I>paramâtmâ</I>, and the person of all <I>bhâga</I>, viz. excellence, fortune and majesty, or <I>Bhagavân</I>. Another way to describe these three different disciplines in one breath is to say that in freedom from illusion with the Spirit of the Absolute, one, as a soul relating to the Supersoul in analysis connecting with the regulative principles, has to arrive at the Fortunate One to be there with Him of service as a person of God. So the basic logic, of step by step attaining to love of Godhead, that is followed in this text is known as the art and science of arriving at the personal of God departing from the impersonal of the Absolute Truth. Though the Absolute truth is nondual of nature and, relating to the Supreme Soul, a matter of local culture shipping with duality, is the conflict of the dual versus the nondual of realization solved in the personal of considering the object of worship religiously, and the explanations of the teaching in the politics of spreading the message.
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<B>R</B>eading S'rîmad Bhâgavatam one may wonder how Vyâsadeva came to the order of this book. The sanskrit text itself offers us no titles for the cantos, but the tradition does. So how did one arrive at these titles? The book itself gives us some clues to this. First of all describes Vyâsa in [[bh:http://bhagavata.org/canto1/chapter2.html#Text%2011"|1.2: 11]] how the unity of undivided knowledge is known by a threefold discipline, or <I>trisâdhana</I>, specified as the science of God concerning the aspects of the Absolute, the <I>brahman</I>, the Greater Soul, the <I>paramâtmâ</I>, and the person of all <I>bhâga</I>, viz. excellence, fortune and majesty, or <I>Bhagavân</I>. Another way to describe these three different disciplines in one breath is to say that in freedom from illusion with the Spirit of the Absolute, one, as a soul relating to the Supersoul in analysis connecting with the regulative principles, has to arrive at the Fortunate One to be there with Him of service as a person of God. So the basic logic, of step by step attaining to love of Godhead, that is followed in this text is known as the art and science of arriving at the personal of God departing from the impersonal of the Absolute Truth. Though the Absolute truth is nondual of nature and, relating to the Supreme Soul, a matter of local culture shipping with duality, is the conflict of the dual versus the nondual of realization solved in the personal of considering the object of worship religiously, and the explanations of the teaching in the politics of spreading the message.
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%center%,I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I>%%

<B>R</B>eading S'rîmad Bhâgavatam one may wonder how Vyâsadeva came to the order of this book. The sanskrit text itself offers us no titles for the cantos, but the tradition does. So how did one arrive at these titles? The book itself gives us some clues to this. First of all describes Vyâsa in [[bh:http://bhagavata.org/canto1/chapter2.html#Text%2011"|1.2: 11]] how the unity of undivided knowledge is known by a threefold discipline, or <I>trisâdhana</I>, specified as the science of God concerning the aspects of the Absolute, the <I>brahman</I>, the Greater Soul, the <I>paramâtmâ</I>, and the person of all <I>bhâga</I>, viz. excellence, fortune and majesty, or <I>Bhagavân</I>. Another way to describe these three different disciplines in one breath is to say that in freedom from illusion with the Spirit of the Absolute, one, as a soul relating to the Supersoul in analysis connecting with the regulative principles, has to arrive at the Fortunate One to be there with Him of service as a person of God. So the basic logic, of step by step attaining to love of Godhead, that is followed in this text is known as the art and science of arriving at the personal of God departing from the impersonal of the Absolute Truth. Though the Absolute truth is nondual of nature and, relating to the Supreme Soul, a matter of local culture shipping with duality, is the conflict of the dual versus the nondual of realization solved in the personal of considering the object of worship religiously, and the explanations of the teaching in the politics of spreading the message.
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%center%<B>T</B>he S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I>%%

<B>R</I>eading S'rîmad Bhâgavatam one may wonder how Vyâsadeva came to the order of this book. The sanskrit text itself offers us no titles for the cantos, but the tradition does. So how did one arrive at these titles? The book itself gives us some clues to this. First of all describes Vyâsa in [[bh:http://bhagavata.org/canto1/chapter2.html#Text%2011"|1.2: 11]] how the unity of undivided knowledge is known by a threefold discipline, or <I>trisâdhana</I>, specified as the science of God concerning the aspects of the Absolute, the <I>brahman</I>, the Greater Soul, the <I>paramâtmâ</I>, and the person of all <I>bhâga</I>, viz. excellence, fortune and majesty, or <I>Bhagavân</I>. Another way to describe these three different disciplines in one breath is to say that in freedom from illusion with the Spirit of the Absolute, one, as a soul relating to the Supersoul in analysis connecting with the regulative principles, has to arrive at the Fortunate One to be there with Him of service as a person of God. So the basic logic, of step by step attaining to love of Godhead, that is followed in this text is known as the art and science of arriving at the personal of God departing from the impersonal of the Absolute Truth. Though the Absolute truth is nondual of nature and, relating to the Supreme Soul, a matter of local culture shipping with duality, is the conflict of the dual versus the nondual of realization solved in the personal of considering the object of worship religiously, and the explanations of the teaching in the politics of spreading the message.
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<B>T</B>he final step in this in depth analysis of the structure of this book is the translation of this result, this <I>bhâvita</I>, into the actual titles the <I>paramparâ</I> came up with. In this respect is another element added to the story: the element of the different subjects discussed in the book. In [[bh:canto2/chapter10.html#Text%201|2.10: 1]] explains S'ukadeva Gosvâmî as the first philosopher-king after Krishna, the first <I>mahârâja-âcârya</I> that: '<I>In this (Bhâgavatam) there are (ten types of) statements about the following: the creation of the universe, the secondary creation, the different worlds, support (by the Lord), the creative drive, the changes of Manus, following divine instruction, returning to God, finding liberation and the Summum Bonum (description of the actions of Lord Krishna)</I>. In [[bh:nederlands/canto12/hoofdstuk7.html#Text 9-10|12.7: 9-11]] he further dilates on this saying: <I>'The creation (of this universe, </I>[[bh:glossary/s.html#Sarga|<I>sarga</I>]]<I>), the subsequent creation (of different worlds and beings, </I>[[bh:glossary/v.html#Visarga|<I>visarga</I>]]<I>), the maintenance (the sustenance, the </I>[[bh:glossary/v.html#Vritti|<I>vritti</I>]]<I> or sthâna) and protection (the rakshâ or poshana of the living beings), the reigns (of the various Manus), the dynasties (</I>[[bh:glossary/v.html#Vamsa"><I>vams'as</I>]]<I>), the narrations about them (vams'a-anucaritam), the annihilation (of different kinds, </I>[[bh:glossary/p.html#Pralaya"><I>pralaya</I>]]<I> or samsthâ), the motivation (of individuality or hetu) and the supreme shelter (of the Fortunate One or apâs'raya), o brahmin, are the ten characteristic topics of a purâna as understood by the authorities on the matter; some state that relative to the greater ones, the lesser purânas deal with five'. </I>These verses inspired the <I>paramparâ, </I>the disciplic succession in the person of Swami Prabhupâda to present the book with the titles given in the last row of the table below. In fact is in his argument that what is laid out above more or less intuitively combined with these ten topics. The titles must not be seen as direct translations of these ten topics though, since they are diffusely discussed throughout the book. S'rîla Jîva Gosvâmî explicitly reminds us of the fact that <I>'one should not try to assign each of the ten topics to a particular canto. Nor should the S'rîmad-Bhâgavatam be artificially interpreted to show that it deals with the topics successively.</I>' The titles assigned by the <I>paramparâ</I> just remind one of the ten subjects as far as a certain emphasis is made by a certain canto or <I>kânda</I>. The actual in depth structure is realized by the full scope of the table below summarizing this discussion.
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<B>T</B>he final step in this in depth analysis of the structure of this book is the translation of this result, this <I>bhâvita</I>, into the actual titles the <I>paramparâ</I> came up with. In this respect is another element added to the story: the element of the different subjects discussed in the book. In [[bh:canto2/chapter10.html#Text%201|2.10: 1]] explains S'ukadeva Gosvâmî as the first philosopher-king after Krishna, the first <I>mahârâja-âcârya</I> that: '<I>In this (Bhâgavatam) there are (ten types of) statements about the following: the creation of the universe, the secondary creation, the different worlds, support (by the Lord), the creative drive, the changes of Manus, following divine instruction, returning to God, finding liberation and the Summum Bonum (description of the actions of Lord Krishna)</I>. In [[bh:nederlands/canto12/hoofdstuk7.html#Text 9-10|12.7: 9-11]] he further dilates on this saying: <I>'The creation (of this universe, </I>[[bh:glossary/s.html#Sarga|<I>sarga</I>]]<I>), the subsequent creation (of different worlds and beings, </I>[[bh:glossary/v.html#Visarga|<I>visarga</I>]]<I>), the maintenance (the sustenance, the </I>[[bh:glossary/v.html#Vritti|<I>vritti</I>]]<I> or sthâna) and protection (the rakshâ or poshana of the living beings), the reigns (of the various Manus), the dynasties (</I>[[bh:glossary/v.html#Vamsa|<I>vams'as</I>]]<I>), the narrations about them (vams'a-anucaritam), the annihilation (of different kinds, </I>[[bh:glossary/p.html#Pralaya|<I>pralaya</I>]]<I> or samsthâ), the motivation (of individuality or hetu) and the supreme shelter (of the Fortunate One or apâs'raya), o brahmin, are the ten characteristic topics of a purâna as understood by the authorities on the matter; some state that relative to the greater ones, the lesser purânas deal with five'. </I>These verses inspired the <I>paramparâ, </I>the disciplic succession in the person of Swami Prabhupâda to present the book with the titles given in the last row of the table below. In fact is in his argument that what is laid out above more or less intuitively combined with these ten topics. The titles must not be seen as direct translations of these ten topics though, since they are diffusely discussed throughout the book. S'rîla Jîva Gosvâmî explicitly reminds us of the fact that <I>'one should not try to assign each of the ten topics to a particular canto. Nor should the S'rîmad-Bhâgavatam be artificially interpreted to show that it deals with the topics successively.</I>' The titles assigned by the <I>paramparâ</I> just remind one of the ten subjects as far as a certain emphasis is made by a certain canto or <I>kânda</I>. The actual in depth structure is realized by the full scope of the table below summarizing this discussion.
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<B>T</B>he final step in this in depth analysis of the structure of this book is the translation of this result, this <I>bhâvita</I>, into the actual titles the <I>paramparâ</I> came up with. In this respect is another element added to the story: the element of the different subjects discussed in the book. In [[bh:http://bhagavata.org/canto2/chapter10.html#Text%201">2.10: 1]] explains S'ukadeva Gosvâmî as the first philosopher-king after Krishna, the first <I>mahârâja-âcârya</I> that: '<I>In this (Bhâgavatam) there are (ten types of) statements about the following: the creation of the universe, the secondary creation, the different worlds, support (by the Lord), the creative drive, the changes of Manus, following divine instruction, returning to God, finding liberation and the Summum Bonum (description of the actions of Lord Krishna)</I>. In [[bh:http://bhagavata.org/nederlands/canto12/hoofdstuk7.html#Text 9-10"|12.7: 9-11]] he further dilates on this saying: <I>'The creation (of this universe, </I>[[bh:glossary/s.html#Sarga"><I>sarga</I>]]<I>), the subsequent creation (of different worlds and beings, </I>[[bh:glossary/v.html#Visarga"><I>visarga</I>]]<I>), the maintenance (the sustenance, the </I>[[bh:glossary/v.html#Vritti"><I>vritti</I>]]<I> or sthâna) and protection (the rakshâ or poshana of the living beings), the reigns (of the various Manus), the dynasties (</I>[[bh:glossary/v.html#Vamsa"><I>vams'as</I>]]<I>), the narrations about them (vams'a-anucaritam), the annihilation (of different kinds, </I>[[bh:glossary/p.html#Pralaya"><I>pralaya</I>]]<I> or samsthâ), the motivation (of individuality or hetu) and the supreme shelter (of the Fortunate One or apâs'raya), o brahmin, are the ten characteristic topics of a purâna as understood by the authorities on the matter; some state that relative to the greater ones, the lesser purânas deal with five'. </I>These verses inspired the <I>paramparâ, </I>the disciplic succession in the person of Swami Prabhupâda to present the book with the titles given in the last row of the table below. In fact is in his argument that what is laid out above more or less intuitively combined with these ten topics. The titles must not be seen as direct translations of these ten topics though, since they are diffusely discussed throughout the book. S'rîla Jîva Gosvâmî explicitly reminds us of the fact that <I>'one should not try to assign each of the ten topics to a particular canto. Nor should the S'rîmad-Bhâgavatam be artificially interpreted to show that it deals with the topics successively.</I>' The titles assigned by the <I>paramparâ</I> just remind one of the ten subjects as far as a certain emphasis is made by a certain canto or <I>kânda</I>. The actual in depth structure is realized by the full scope of the table below summarizing this discussion.
to:
<B>T</B>he final step in this in depth analysis of the structure of this book is the translation of this result, this <I>bhâvita</I>, into the actual titles the <I>paramparâ</I> came up with. In this respect is another element added to the story: the element of the different subjects discussed in the book. In [[bh:canto2/chapter10.html#Text%201|2.10: 1]] explains S'ukadeva Gosvâmî as the first philosopher-king after Krishna, the first <I>mahârâja-âcârya</I> that: '<I>In this (Bhâgavatam) there are (ten types of) statements about the following: the creation of the universe, the secondary creation, the different worlds, support (by the Lord), the creative drive, the changes of Manus, following divine instruction, returning to God, finding liberation and the Summum Bonum (description of the actions of Lord Krishna)</I>. In [[bh:nederlands/canto12/hoofdstuk7.html#Text 9-10|12.7: 9-11]] he further dilates on this saying: <I>'The creation (of this universe, </I>[[bh:glossary/s.html#Sarga|<I>sarga</I>]]<I>), the subsequent creation (of different worlds and beings, </I>[[bh:glossary/v.html#Visarga|<I>visarga</I>]]<I>), the maintenance (the sustenance, the </I>[[bh:glossary/v.html#Vritti|<I>vritti</I>]]<I> or sthâna) and protection (the rakshâ or poshana of the living beings), the reigns (of the various Manus), the dynasties (</I>[[bh:glossary/v.html#Vamsa"><I>vams'as</I>]]<I>), the narrations about them (vams'a-anucaritam), the annihilation (of different kinds, </I>[[bh:glossary/p.html#Pralaya"><I>pralaya</I>]]<I> or samsthâ), the motivation (of individuality or hetu) and the supreme shelter (of the Fortunate One or apâs'raya), o brahmin, are the ten characteristic topics of a purâna as understood by the authorities on the matter; some state that relative to the greater ones, the lesser purânas deal with five'. </I>These verses inspired the <I>paramparâ, </I>the disciplic succession in the person of Swami Prabhupâda to present the book with the titles given in the last row of the table below. In fact is in his argument that what is laid out above more or less intuitively combined with these ten topics. The titles must not be seen as direct translations of these ten topics though, since they are diffusely discussed throughout the book. S'rîla Jîva Gosvâmî explicitly reminds us of the fact that <I>'one should not try to assign each of the ten topics to a particular canto. Nor should the S'rîmad-Bhâgavatam be artificially interpreted to show that it deals with the topics successively.</I>' The titles assigned by the <I>paramparâ</I> just remind one of the ten subjects as far as a certain emphasis is made by a certain canto or <I>kânda</I>. The actual in depth structure is realized by the full scope of the table below summarizing this discussion.
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%center%<I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.<I>[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I>%%
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%center%,I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I>%%
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'''''or the science of realizing oneself God as the Fortunate One'''''
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'''''or the science of realizing oneself God as the Fortunate One'''''%%
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%center%<I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.<I>[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I></P>%%
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%center%<I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.<I>[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I>%%
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<B>S</B>o despite of the nondual nature of the Absolute is it the mission to face the duality of the material world with the help of the person of God who is there as the teacher and the friend. This duality is traditionally in India defended with the different <I>darshanas, </I>or the different perspectives of indian philosophy. The threefold of the discipline combined with the duality that has to be faced, results in these <I>darshanas</I>. Thus is the discipline with the Absolute Truth known by method, <I>nyâya</I>, and non-illusion, <I>vais'eshika</I>, by setting up the argument concerning the time and the person properly in cantos one and two and then facing the facts of the manifestation of the form and norm of God in cantos three and four. Next has one to face the duality of matter and soul facing the reality of the material diversity at the one hand and the need to stay connected in rising above it in transcendence. Thus we see the <I>sâmkhya</I> and the <I>yoga</I> appear in the line of the argument of this <I>purâna, </I>of these classical stories that help us to realize the vedic wisdom. Though Lord Kapila, the <I>avatâra</I> for the analytical approach, was introduced already in the third canto as part of the science of arriving at non-illusion about the Absolute, do we get to see the full scope of it's effect in the fifth and sixth canto. Therein is presented the diversity of the person and the universe in relation to the Supersoul. Connecting in <I>yoga</I> therewith one faces the form and the norm of it in the cantos seven and eight where we learn to know <I>avatâra</I> Nrisimha and the culture of <I>bhakti</I> together with the founding fathers of the traditions defending that culture of the enlightened souls the way they take responsibility in the different eras of creation. For the realization of the personal we finally enter the discipline of considering the object of worship, called <I>mîmâmsâ</I>, the great example known as the Time or kâla at the one hand and the substance of the person or the <I>purusha</I> at the other hand. This is seen in the ninth and the tenth canto presenting us the persons found of the dynasties of the vedic culture in relation to the sun and the moon at the one hand and the person as the object of worship in the form of Lord Râma and Lord Krishna at the other hand. With Krishna we find the culmination of the discipline of oneness in diversity in one person, the Person of All Qualities and Fortune. In the last part, is the <I>vedanta</I>, or the final commentary presented. In canto eleven this is done in the form of the teachings to remember after Krishna left this world and is the norm of celibacy in facing the Age of Quarrel set by sage Mârkandeya in canto twelve, in which the people have difficulty keeping track with the classical wisdom arguing endlessly about their personal weaknesses in politics and a societal confusion of identity. So do we at this second level, accepting duality with the threefold respected nondual reality of the Absolute Truth, have the sixfold division of the <I>darshanas</I> covering all the different aspects of indian philosophy. </P>

<B>T</B>he next realization at an even deeper level of order is most confounding: there seem to different types of logic woven into the story. This logic presents us with an almost chaotic array of stories relating to the time of the material universe, the person who is of or against God, the manifestation of the Lord in different forms and the reality of the religion that by tradition is needed to remember God. A doubter failing in the method may be in confusion about the purpose of the vedic discipline presented by Vyâsadeva. Is it all about becoming religious? Or is it to figure out who the Fortunate One actually is? Is it to sober up with the difficulties of <I>mâyâ</I>, the bewildering potency of the material universe with its operating modes or <I>gunas</I> to the eternal of Time, or is it all about defeating demons, the <I>asuras</I> and <I>râkshasas</I>, to be a pious person? To what purpose is the <I>bhâgavata purâna</I> there? Vyâsa is not so explicit in this at a meta-level. He simply presents us the consequence of his logic. He reasons about <I>avatâra, purusha, kâla</I> as well as about <I>dharm</I>a in a pleasant intuitive mix surprising us at every page. The general outline of his logic seems to be that departing from a certain historical respect of time, the person manifest in the universe as also the person of God in the form of the universe must be realized, after which the need for the hero of God, the manifestation of the Supreme Personality of Godhead, comes in view, for He is the One to lead the bewildered living beings back to His purpose: the <I>dharma</I> which then is delivered as the conclusion of the mission for all the three disciplines. So, in one breath said, places the time realized as a person us for the need of the hero, of the incarnation of the Great Example, to be certain on the path of our religiosity of finding liberation with our enlightenment in spiritual self-realization. So do we with this line of argument have a fourfold cause to reason from we in the West more or less already knew from Aristotele; this causal network is the <I>kâranata, </I>the causality of the Bhâgavatam. From this <I>kâranata</I> we see the sixfold of the different visions further divided in twelve, do we see the argument further diversified to the basic logic about self-realization. This twelvefold effect of the logic followed thus is laid down in the twelve books, or the divisions of the three hundred thirty-five chapters in this bible or collection of stories, or<I> samhitâ</I>, about the wisdom of God. Thus we get the contents, the <I>anukrama</I> of this book arranged chapter by chapter. The final result of realizing this structure, this <I>vyûha</I> of the <I>bhâgavata,</I> is in the table below presented as a permutation on the concepts of the <I>pratyaya </I>or the proof thus delivered. Time as the doer results in the proof of history. The substance of the universe and the logic followed is proven to be the person. The hero of the Lord incarnate in a certain form is the manifestation of that proof of the person of God and the religiousness of the norm set by Him is the proven duty we have to conclude to. Thus reasoning from the causal modes of history, person, manifestation and the duty we arrive at the result, the <I>bhâvita</I>, of the structural awareness of the Bhâgavatam as laid down in the before last row of the table below.</P>

<P><FONT SIZE="+1" FACE="Georgia" COLOR="#663300"><B>T</B>he final step in this in depth analysis of the structure of this book is the translation of this result, this <I>bhâvita</I>, into the actual titles the <I>paramparâ</I> came up with. In this respect is another element added to the story: the element of the different subjects discussed in the book. In [[bh:http://bhagavata.org/canto2/chapter10.html#Text%201">2.10: 1]] explains S'ukadeva Gosvâmî as the first philosopher-king after Krishna, the first <I>mahârâja-âcârya</I> that: '<I>In this (Bhâgavatam) there are (ten types of) statements about the following: the creation of the universe, the secondary creation, the different worlds, support (by the Lord), the creative drive, the changes of Manus, following divine instruction, returning to God, finding liberation and the Summum Bonum (description of the actions of Lord Krishna)</I>. In [[bh:http://bhagavata.org/nederlands/canto12/hoofdstuk7.html#Text 9-10"|12.7: 9-11]] he further dilates on this saying: <I>'The creation (of this universe, </I>[[bh:glossary/s.html#Sarga"><I>sarga</I>]]<I>), the subsequent creation (of different worlds and beings, </I>[[bh:glossary/v.html#Visarga"><I>visarga</I>]]<I>), the maintenance (the sustenance, the </I>[[bh:glossary/v.html#Vritti"><I>vritti</I>]]<I> or sthâna) and protection (the rakshâ or poshana of the living beings), the reigns (of the various Manus), the dynasties (</I>[[bh:glossary/v.html#Vamsa"><I>vams'as</I>]]<I>), the narrations about them (vams'a-anucaritam), the annihilation (of different kinds, </I>[[bh:glossary/p.html#Pralaya"><I>pralaya</I>]]<I> or samsthâ), the motivation (of individuality or hetu) and the supreme shelter (of the Fortunate One or apâs'raya), o brahmin, are the ten characteristic topics of a purâna as understood by the authorities on the matter; some state that relative to the greater ones, the lesser purânas deal with five'. </I>These verses inspired the <I>paramparâ, </I>the disciplic succession in the person of Swami Prabhupâda to present the book with the titles given in the last row of the table below. In fact is in his argument that what is laid out above more or less intuitively combined with these ten topics. The titles must not be seen as direct translations of these ten topics though, since they are diffusely discussed throughout the book. S'rîla Jîva Gosvâmî explicitly reminds us of the fact that <I>'one should not try to assign each of the ten topics to a particular canto. Nor should the S'rîmad-Bhâgavatam be artificially interpreted to show that it deals with the topics successively.</I>' The titles assigned by the <I>paramparâ</I> just remind one of the ten subjects as far as a certain emphasis is made by a certain canto or <I>kânda</I>. The actual in depth structure is realized by the full scope of the table below summarizing this discussion.

For the love of God, Anand Aadhar Prabhu, Enschede 22 Febr. 2006
to:
<B>S</B>o despite of the nondual nature of the Absolute is it the mission to face the duality of the material world with the help of the person of God who is there as the teacher and the friend. This duality is traditionally in India defended with the different <I>darshanas, </I>or the different perspectives of indian philosophy. The threefold of the discipline combined with the duality that has to be faced, results in these <I>darshanas</I>. Thus is the discipline with the Absolute Truth known by method, <I>nyâya</I>, and non-illusion, <I>vais'eshika</I>, by setting up the argument concerning the time and the person properly in cantos one and two and then facing the facts of the manifestation of the form and norm of God in cantos three and four. Next has one to face the duality of matter and soul facing the reality of the material diversity at the one hand and the need to stay connected in rising above it in transcendence. Thus we see the <I>sâmkhya</I> and the <I>yoga</I> appear in the line of the argument of this <I>purâna, </I>of these classical stories that help us to realize the vedic wisdom. Though Lord Kapila, the <I>avatâra</I> for the analytical approach, was introduced already in the third canto as part of the science of arriving at non-illusion about the Absolute, do we get to see the full scope of it's effect in the fifth and sixth canto. Therein is presented the diversity of the person and the universe in relation to the Supersoul. Connecting in <I>yoga</I> therewith one faces the form and the norm of it in the cantos seven and eight where we learn to know <I>avatâra</I> Nrisimha and the culture of <I>bhakti</I> together with the founding fathers of the traditions defending that culture of the enlightened souls the way they take responsibility in the different eras of creation. For the realization of the personal we finally enter the discipline of considering the object of worship, called <I>mîmâmsâ</I>, the great example known as the Time or kâla at the one hand and the substance of the person or the <I>purusha</I> at the other hand. This is seen in the ninth and the tenth canto presenting us the persons found of the dynasties of the vedic culture in relation to the sun and the moon at the one hand and the person as the object of worship in the form of Lord Râma and Lord Krishna at the other hand. With Krishna we find the culmination of the discipline of oneness in diversity in one person, the Person of All Qualities and Fortune. In the last part, is the <I>vedanta</I>, or the final commentary presented. In canto eleven this is done in the form of the teachings to remember after Krishna left this world and is the norm of celibacy in facing the Age of Quarrel set by sage Mârkandeya in canto twelve, in which the people have difficulty keeping track with the classical wisdom arguing endlessly about their personal weaknesses in politics and a societal confusion of identity. So do we at this second level, accepting duality with the threefold respected nondual reality of the Absolute Truth, have the sixfold division of the <I>darshanas</I> covering all the different aspects of indian philosophy.

<B>T</B>he next realization at an even deeper level of order is most confounding: there seem to different types of logic woven into the story. This logic presents us with an almost chaotic array of stories relating to the time of the material universe, the person who is of or against God, the manifestation of the Lord in different forms and the reality of the religion that by tradition is needed to remember God. A doubter failing in the method may be in confusion about the purpose of the vedic discipline presented by Vyâsadeva. Is it all about becoming religious? Or is it to figure out who the Fortunate One actually is? Is it to sober up with the difficulties of <I>mâyâ</I>, the bewildering potency of the material universe with its operating modes or <I>gunas</I> to the eternal of Time, or is it all about defeating demons, the <I>asuras</I> and <I>râkshasas</I>, to be a pious person? To what purpose is the <I>bhâgavata purâna</I> there? Vyâsa is not so explicit in this at a meta-level. He simply presents us the consequence of his logic. He reasons about <I>avatâra, purusha, kâla</I> as well as about <I>dharm</I>a in a pleasant intuitive mix surprising us at every page. The general outline of his logic seems to be that departing from a certain historical respect of time, the person manifest in the universe as also the person of God in the form of the universe must be realized, after which the need for the hero of God, the manifestation of the Supreme Personality of Godhead, comes in view, for He is the One to lead the bewildered living beings back to His purpose: the <I>dharma</I> which then is delivered as the conclusion of the mission for all the three disciplines. So, in one breath said, places the time realized as a person us for the need of the hero, of the incarnation of the Great Example, to be certain on the path of our religiosity of finding liberation with our enlightenment in spiritual self-realization. So do we with this line of argument have a fourfold cause to reason from we in the West more or less already knew from Aristotele; this causal network is the <I>kâranata, </I>the causality of the Bhâgavatam. From this <I>kâranata</I> we see the sixfold of the different visions further divided in twelve, do we see the argument further diversified to the basic logic about self-realization. This twelvefold effect of the logic followed thus is laid down in the twelve books, or the divisions of the three hundred thirty-five chapters in this bible or collection of stories, or<I> samhitâ</I>, about the wisdom of God. Thus we get the contents, the <I>anukrama</I> of this book arranged chapter by chapter. The final result of realizing this structure, this <I>vyûha</I> of the <I>bhâgavata,</I> is in the table below presented as a permutation on the concepts of the <I>pratyaya </I>or the proof thus delivered. Time as the doer results in the proof of history. The substance of the universe and the logic followed is proven to be the person. The hero of the Lord incarnate in a certain form is the manifestation of that proof of the person of God and the religiousness of the norm set by Him is the proven duty we have to conclude to. Thus reasoning from the causal modes of history, person, manifestation and the duty we arrive at the result, the <I>bhâvita</I>, of the structural awareness of the Bhâgavatam as laid down in the before last row of the table below.

<B>T</B>he final step in this in depth analysis of the structure of this book is the translation of this result, this <I>bhâvita</I>, into the actual titles the <I>paramparâ</I> came up with. In this respect is another element added to the story: the element of the different subjects discussed in the book. In [[bh:http://bhagavata.org/canto2/chapter10.html#Text%201">2.10: 1]] explains S'ukadeva Gosvâmî as the first philosopher-king after Krishna, the first <I>mahârâja-âcârya</I> that: '<I>In this (Bhâgavatam) there are (ten types of) statements about the following: the creation of the universe, the secondary creation, the different worlds, support (by the Lord), the creative drive, the changes of Manus, following divine instruction, returning to God, finding liberation and the Summum Bonum (description of the actions of Lord Krishna)</I>. In [[bh:http://bhagavata.org/nederlands/canto12/hoofdstuk7.html#Text 9-10"|12.7: 9-11]] he further dilates on this saying: <I>'The creation (of this universe, </I>[[bh:glossary/s.html#Sarga"><I>sarga</I>]]<I>), the subsequent creation (of different worlds and beings, </I>[[bh:glossary/v.html#Visarga"><I>visarga</I>]]<I>), the maintenance (the sustenance, the </I>[[bh:glossary/v.html#Vritti"><I>vritti</I>]]<I> or sthâna) and protection (the rakshâ or poshana of the living beings), the reigns (of the various Manus), the dynasties (</I>[[bh:glossary/v.html#Vamsa"><I>vams'as</I>]]<I>), the narrations about them (vams'a-anucaritam), the annihilation (of different kinds, </I>[[bh:glossary/p.html#Pralaya"><I>pralaya</I>]]<I> or samsthâ), the motivation (of individuality or hetu) and the supreme shelter (of the Fortunate One or apâs'raya), o brahmin, are the ten characteristic topics of a purâna as understood by the authorities on the matter; some state that relative to the greater ones, the lesser purânas deal with five'. </I>These verses inspired the <I>paramparâ, </I>the disciplic succession in the person of Swami Prabhupâda to present the book with the titles given in the last row of the table below. In fact is in his argument that what is laid out above more or less intuitively combined with these ten topics. The titles must not be seen as direct translations of these ten topics though, since they are diffusely discussed throughout the book. S'rîla Jîva Gosvâmî explicitly reminds us of the fact that <I>'one should not try to assign each of the ten topics to a particular canto. Nor should the S'rîmad-Bhâgavatam be artificially interpreted to show that it deals with the topics successively.</I>' The titles assigned by the <I>paramparâ</I> just remind one of the ten subjects as far as a certain emphasis is made by a certain canto or <I>kânda</I>. The actual in depth structure is realized by the full scope of the table below summarizing this discussion.

For the love of God, Anand Aadhar Prabhu, Enschede 22 Febr. 2006
January 02, 2008, at 12:44 PM by 213.84.172.15 -
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!!Bhâgavata Vyûha- The structure of the S'rîmad Bhâgavatam <B><I>or the science of realizing oneself God as the Fortunate One<BR></I></B>

<I>
The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.<I>[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I></P></CENTER>
to:
!!Bhâgavata Vyûha- The structure of the S'rîmad Bhâgavatam\\
'''''or
the science of realizing oneself God as the Fortunate One'''''

%center%
<I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.<I>[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I></P>%%
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For the love of God, Anand Aadhar Prabhu, Enschede 22 Febr. 2006
to:
For the love of God, Anand Aadhar Prabhu, Enschede 22 Febr. 2006
January 02, 2008, at 12:42 PM by 213.84.172.15 -
Changed lines 1-224 from:
!!Bhâgavata Vyûha- The structure of the S'rîmad Bhâgavatam
<B><I>or the science of realizing oneself God as the Fortunate One<BR></I></B>

<I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR>
most dear to the vaishnavas, by the topmost devotees only,<BR>
the spiritual knowledge perfectly pure and supreme is celebrated;<BR>
in there is, together with the knowledge, the detachment and the
devotion,<BR>
the freedom from all fruitive labor revealed which will deliver a
person who,<BR>
with devotion hearing and properly reading and reciting, is of
serious consideration.<I>[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B.
12.13: 18]])</I></P></CENTER>

<B>R</B>eading
        S'rîmad Bhâgavatam one may wonder how
        Vyâsadeva came to the order of this book. The sanskrit
        text itself offers us no titles for the cantos, but the
        tradition does. So how did one arrive at these titles? The
        book itself gives us some clues to this. First of all
        describes Vyâsa in [[bh:http://bhagavata.org/canto1/chapter2.html#Text%2011"|1.2:
        11]] how the unity
        of undivided knowledge is known by a threefold discipline,
        or <I>trisâdhana</I>, specified as the science of God
        concerning the aspects of the Absolute, the <I>brahman</I>,
        the Greater Soul, the <I>paramâtmâ</I>, and the
        person of all <I>bhâga</I>, viz. excellence, fortune
        and majesty, or <I>Bhagavân</I>. Another way to
        describe these three different disciplines in one breath is
        to say that in freedom from illusion with the Spirit of the
        Absolute, one, as a soul relating to the Supersoul in
        analysis connecting with the regulative principles, has to
        arrive at the Fortunate One to be there with Him of service
        as a person of God. So the basic logic, of step by step
        attaining to love of Godhead, that is followed in this text
        is known as the art and science of arriving at the personal
        of God departing from the impersonal of the Absolute Truth.
        Though the Absolute truth is nondual of nature and, relating
        to the Supreme Soul, a matter of local culture shipping with
        duality, is the conflict of the dual versus the nondual of
        realization solved in the personal of considering the object
        of worship religiously, and the explanations of the teaching
        in the politics of spreading the message.
       
        <B>S</B>o
        despite of the nondual nature of the Absolute is it the
        mission to face the duality of the material world with the
        help of the person of God who is there as the teacher and
        the friend. This duality is traditionally in India defended
        with the different <I>darshanas, </I>or the different
        perspectives of indian philosophy. The threefold of the
        discipline combined with the duality that has to be faced,
        results in these <I>darshanas</I>. Thus is the discipline
        with the Absolute Truth known by method, <I>nyâya</I>,
        and non-illusion, <I>vais'eshika</I>, by setting up the
        argument concerning the time and the person properly in
        cantos one and two and then facing the facts of the
        manifestation of the form and norm of God in cantos three
        and four. Next has one to face the duality of matter and
        soul facing the reality of the material diversity at the one
        hand and the need to stay connected in rising above it in
        transcendence. Thus we see the <I>sâmkhya</I> and the
        <I>yoga</I> appear in the line of the argument of this
        <I>purâna, </I>of these classical stories that help us
        to realize the vedic wisdom. Though Lord Kapila, the
        <I>avatâra</I> for the analytical approach, was
        introduced already in the third canto as part of the science
        of arriving at non-illusion about the Absolute, do we get to
        see the full scope of it's effect in the fifth and sixth
        canto. Therein is presented the diversity of the person and
        the universe in relation to the Supersoul. Connecting in
        <I>yoga</I> therewith one faces the form and the norm of it
        in the cantos seven and eight where we learn to know
        <I>avatâra</I> Nrisimha and the culture of
        <I>bhakti</I> together with the founding fathers of the
        traditions defending that culture of the enlightened souls
        the way they take responsibility in the different eras of
        creation. For the realization of the personal we finally
        enter the discipline of considering the object of worship,
        called <I>mîmâmsâ</I>, the great example
        known as the Time or kâla at the one hand and the
        substance of the person or the <I>purusha</I> at the other
        hand. This is seen in the ninth and the tenth canto
        presenting us the persons found of the dynasties of the
        vedic culture in relation to the sun and the moon at the one
        hand and the person as the object of worship in the form of
        Lord Râma and Lord Krishna at the other hand. With
        Krishna we find the culmination of the discipline of oneness
        in diversity in one person, the Person of All Qualities and
        Fortune. In the last part, is the <I>vedanta</I>, or the
        final commentary presented. In canto eleven this is done in
        the form of the teachings to remember after Krishna left
        this world and is the norm of celibacy in facing the Age of
        Quarrel set by sage Mârkandeya in canto twelve, in
        which the people have difficulty keeping track with the
        classical wisdom arguing endlessly about their personal
        weaknesses in politics and a societal confusion of identity.
        So do we at this second level, accepting duality with the
        threefold respected nondual reality of the Absolute Truth,
        have the sixfold division of the <I>darshanas</I> covering
        all the different aspects of indian philosophy. </P>
       
        <B>T</B>he
        next realization at an even deeper level of order is most
        confounding: there seem to different types of logic woven
        into the story. This logic presents us with an almost
        chaotic array of stories relating to the time of the
        material universe, the person who is of or against God, the
        manifestation of the Lord in different forms and the reality
        of the religion that by tradition is needed to remember God.
        A doubter failing in the method may be in confusion about
        the purpose of the vedic discipline presented by
        Vyâsadeva. Is it all about becoming religious? Or is
        it to figure out who the Fortunate One actually is? Is it to
        sober up with the difficulties of <I>mâyâ</I>,
        the bewildering potency of the material universe with its
        operating modes or <I>gunas</I> to the eternal of Time, or
        is it all about defeating demons, the <I>asuras</I> and
        <I>râkshasas</I>, to be a pious person? To what
        purpose is the <I>bhâgavata purâna</I> there?
        Vyâsa is not so explicit in this at a meta-level. He
        simply presents us the consequence of his logic. He reasons
        about <I>avatâra, purusha, kâla</I> as well as
        about <I>dharm</I>a in a pleasant intuitive mix surprising
        us at every page. The general outline of his logic seems to
        be that departing from a certain historical respect of time,
        the person manifest in the universe as also the person of
        God in the form of the universe must be realized, after
        which the need for the hero of God, the manifestation of the
        Supreme Personality of Godhead, comes in view, for He is the
        One to lead the bewildered living beings back to His
        purpose: the <I>dharma</I> which then is delivered as the
        conclusion of the mission for all the three disciplines. So,
        in one breath said, places the time realized as a person us
        for the need of the hero, of the incarnation of the Great
        Example, to be certain on the path of our religiosity of
        finding liberation with our enlightenment in spiritual
        self-realization. So do we with this line of argument have a
        fourfold cause to reason from we in the West more or less
        already knew from Aristotele; this causal network is the
        <I>kâranata, </I>the causality of the
        Bhâgavatam. From this <I>kâranata</I> we see the
        sixfold of the different visions further divided in twelve,
        do we see the argument further diversified to the basic
        logic about self-realization. This twelvefold effect of the
        logic followed thus is laid down in the twelve books, or the
        divisions of the three hundred thirty-five chapters in this
        bible or collection of stories, or<I> samhitâ</I>,
        about the wisdom of God. Thus we get the contents, the
        <I>anukrama</I> of this book arranged chapter by chapter.
        The final result of realizing this structure, this
        <I>vyûha</I> of the <I>bhâgavata,</I> is in the
        table below presented as a permutation on the concepts of
        the <I>pratyaya </I>or the proof thus delivered. Time as the
        doer results in the proof of history. The substance of the
        universe and the logic followed is proven to be the person.
        The hero of the Lord incarnate in a certain form is the
        manifestation of that proof of the person of God and the
        religiousness of the norm set by Him is the proven duty we
        have to conclude to. Thus reasoning from the causal modes of
        history, person, manifestation and the duty we arrive at the
        result, the <I>bhâvita</I>, of the structural
        awareness of the Bhâgavatam as laid down in the before
        last row of the table below.</P>
       
        <P><FONT SIZE="+1" FACE="Georgia" COLOR="#663300"><B>T</B>he
        final step in this in depth analysis of the structure of
        this book is the translation of this result, this
        <I>bhâvita</I>, into the actual titles the
        <I>paramparâ</I> came up with. In this respect is
        another element added to the story: the element of the
        different subjects discussed in the book. In
        [[bh:http://bhagavata.org/canto2/chapter10.html#Text%201">2.10:
        1]] explains
        S'ukadeva Gosvâmî as the first philosopher-king
        after Krishna, the first
        <I>mahârâja-âcârya</I> that: '<I>In
        this (Bhâgavatam) there are (ten types
        of) statements about the following: the creation of the
        universe, the secondary creation, the different worlds,
        support (by the Lord), the creative drive, the
        changes of Manus, following divine instruction, returning to
        God, finding liberation and the Summum Bonum
        (description of the actions of Lord Krishna)</I>. In
        [[bh:http://bhagavata.org/nederlands/canto12/hoofdstuk7.html#Text 9-10"|12.7:
        9-11]] he further
        dilates on this saying: <I>'The creation (of this
        universe, </I>[[bh:glossary/s.html#Sarga"><I>sarga</I>]]<I>),
        the subsequent creation (of different worlds and beings,
        </I>[[bh:glossary/v.html#Visarga"><I>visarga</I>]]<I>),
        the maintenance (the sustenance, the
        </I>[[bh:glossary/v.html#Vritti"><I>vritti</I>]]<I>
        or sthâna) and protection (the rakshâ or
        poshana of the living beings), the reigns (of the
        various Manus), the dynasties (</I>[[bh:glossary/v.html#Vamsa"><I>vams'as</I>]]<I>),
        the narrations about them (vams'a-anucaritam), the
        annihilation (of different kinds, </I>[[bh:glossary/p.html#Pralaya"><I>pralaya</I>]]<I>
        or samsthâ), the motivation (of individuality
        or hetu) and the supreme shelter (of the Fortunate
        One or apâs'raya), o brahmin, are the ten
        characteristic topics of a purâna as understood by the
        authorities on the matter; some state that relative to the
        greater ones, the lesser purânas deal with five'.
        </I>These verses inspired the <I>paramparâ, </I>the
        disciplic succession in the person of Swami Prabhupâda
        to present the book with the titles given in the last row of
        the table below. In fact is in his argument that what is
        laid out above more or less intuitively combined with these
        ten topics. The titles must not be seen as direct
        translations of these ten topics though, since they are
        diffusely discussed throughout the book. S'rîla
        Jîva Gosvâmî explicitly reminds us of the
        fact that <I>'one should not try to assign each of the ten
        topics to a particular canto. Nor should the
        S'rîmad-Bhâgavatam be artificially interpreted
        to show that it deals with the topics successively.</I>' The
        titles assigned by the <I>paramparâ</I> just remind
        one of the ten subjects as far as a certain emphasis is made
        by a certain canto or <I>kânda</I>. The actual in
        depth structure is realized by the full scope of the table
        below summarizing this discussion.

For the love of God,
Anand Aadhar Prabhu, Enschede 22 Febr. 2006
to:
!!Bhâgavata Vyûha- The structure of the S'rîmad Bhâgavatam <B><I>or the science of realizing oneself God as the Fortunate One<BR></I></B>

<I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR> most dear to the vaishnavas, by the topmost devotees only,<BR> the spiritual knowledge perfectly pure and supreme is celebrated;<BR> in there is, together with the knowledge, the detachment and the devotion,<BR> the freedom from all fruitive labor revealed which will deliver a person who,<BR> with devotion hearing and properly reading and reciting, is of serious consideration.<I>[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B. 12.13: 18]])</I></P></CENTER>

<B>R</B>eading S'rîmad Bhâgavatam one may wonder how Vyâsadeva came to the order of this book. The sanskrit text itself offers us no titles for the cantos, but the tradition does. So how did one arrive at these titles? The book itself gives us some clues to this. First of all describes Vyâsa in [[bh:http://bhagavata.org/canto1/chapter2.html#Text%2011"|1.2: 11]] how the unity of undivided knowledge is known by a threefold discipline, or <I>trisâdhana</I>, specified as the science of God concerning the aspects of the Absolute, the <I>brahman</I>, the Greater Soul, the <I>paramâtmâ</I>, and the person of all <I>bhâga</I>, viz. excellence, fortune and majesty, or <I>Bhagavân</I>. Another way to describe these three different disciplines in one breath is to say that in freedom from illusion with the Spirit of the Absolute, one, as a soul relating to the Supersoul in analysis connecting with the regulative principles, has to arrive at the Fortunate One to be there with Him of service as a person of God. So the basic logic, of step by step attaining to love of Godhead, that is followed in this text is known as the art and science of arriving at the personal of God departing from the impersonal of the Absolute Truth. Though the Absolute truth is nondual of nature and, relating to the Supreme Soul, a matter of local culture shipping with duality, is the conflict of the dual versus the nondual of realization solved in the personal of considering the object of worship religiously, and the explanations of the teaching in the politics of spreading the message.

<B>S</B>o despite of the nondual nature of the Absolute is it the mission to face the duality of the material world with the help of the person of God who is there as the teacher and the friend. This duality is traditionally in India defended with the different <I>darshanas, </I>or the different perspectives of indian philosophy. The threefold of the discipline combined with the duality that has to be faced, results in these <I>darshanas</I>. Thus is the discipline with the Absolute Truth known by method, <I>nyâya</I>, and non-illusion, <I>vais'eshika</I>, by setting up the argument concerning the time and the person properly in cantos one and two and then facing the facts of the manifestation of the form and norm of God in cantos three and four. Next has one to face the duality of matter and soul facing the reality of the material diversity at the one hand and the need to stay connected in rising above it in transcendence. Thus we see the <I>sâmkhya</I> and the <I>yoga</I> appear in the line of the argument of this <I>purâna, </I>of these classical stories that help us to realize the vedic wisdom. Though Lord Kapila, the <I>avatâra</I> for the analytical approach, was introduced already in the third canto as part of the science of arriving at non-illusion about the Absolute, do we get to see the full scope of it's effect in the fifth and sixth canto. Therein is presented the diversity of the person and the universe in relation to the Supersoul. Connecting in <I>yoga</I> therewith one faces the form and the norm of it in the cantos seven and eight where we learn to know <I>avatâra</I> Nrisimha and the culture of <I>bhakti</I> together with the founding fathers of the traditions defending that culture of the enlightened souls the way they take responsibility in the different eras of creation. For the realization of the personal we finally enter the discipline of considering the object of worship, called <I>mîmâmsâ</I>, the great example known as the Time or kâla at the one hand and the substance of the person or the <I>purusha</I> at the other hand. This is seen in the ninth and the tenth canto presenting us the persons found of the dynasties of the vedic culture in relation to the sun and the moon at the one hand and the person as the object of worship in the form of Lord Râma and Lord Krishna at the other hand. With Krishna we find the culmination of the discipline of oneness in diversity in one person, the Person of All Qualities and Fortune. In the last part, is the <I>vedanta</I>, or the final commentary presented. In canto eleven this is done in the form of the teachings to remember after Krishna left this world and is the norm of celibacy in facing the Age of Quarrel set by sage Mârkandeya in canto twelve, in which the people have difficulty keeping track with the classical wisdom arguing endlessly about their personal weaknesses in politics and a societal confusion of identity. So do we at this second level, accepting duality with the threefold respected nondual reality of the Absolute Truth, have the sixfold division of the <I>darshanas</I> covering all the different aspects of indian philosophy. </P>

<B>T</B>he next realization at an even deeper level of order is most confounding: there seem to different types of logic woven into the story. This logic presents us with an almost chaotic array of stories relating to the time of the material universe, the person who is of or against God, the manifestation of the Lord in different forms and the reality of the religion that by tradition is needed to remember God. A doubter failing in the method may be in confusion about the purpose of the vedic discipline presented by Vyâsadeva. Is it all about becoming religious? Or is it to figure out who the Fortunate One actually is? Is it to sober up with the difficulties of <I>mâyâ</I>, the bewildering potency of the material universe with its operating modes or <I>gunas</I> to the eternal of Time, or is it all about defeating demons, the <I>asuras</I> and <I>râkshasas</I>, to be a pious person? To what purpose is the <I>bhâgavata purâna</I> there? Vyâsa is not so explicit in this at a meta-level. He simply presents us the consequence of his logic. He reasons about <I>avatâra, purusha, kâla</I> as well as about <I>dharm</I>a in a pleasant intuitive mix surprising us at every page. The general outline of his logic seems to be that departing from a certain historical respect of time, the person manifest in the universe as also the person of God in the form of the universe must be realized, after which the need for the hero of God, the manifestation of the Supreme Personality of Godhead, comes in view, for He is the One to lead the bewildered living beings back to His purpose: the <I>dharma</I> which then is delivered as the conclusion of the mission for all the three disciplines. So, in one breath said, places the time realized as a person us for the need of the hero, of the incarnation of the Great Example, to be certain on the path of our religiosity of finding liberation with our enlightenment in spiritual self-realization. So do we with this line of argument have a fourfold cause to reason from we in the West more or less already knew from Aristotele; this causal network is the <I>kâranata, </I>the causality of the Bhâgavatam. From this <I>kâranata</I> we see the sixfold of the different visions further divided in twelve, do we see the argument further diversified to the basic logic about self-realization. This twelvefold effect of the logic followed thus is laid down in the twelve books, or the divisions of the three hundred thirty-five chapters in this bible or collection of stories, or<I> samhitâ</I>, about the wisdom of God. Thus we get the contents, the <I>anukrama</I> of this book arranged chapter by chapter. The final result of realizing this structure, this <I>vyûha</I> of the <I>bhâgavata,</I> is in the table below presented as a permutation on the concepts of the <I>pratyaya </I>or the proof thus delivered. Time as the doer results in the proof of history. The substance of the universe and the logic followed is proven to be the person. The hero of the Lord incarnate in a certain form is the manifestation of that proof of the person of God and the religiousness of the norm set by Him is the proven duty we have to conclude to. Thus reasoning from the causal modes of history, person, manifestation and the duty we arrive at the result, the <I>bhâvita</I>, of the structural awareness of the Bhâgavatam as laid down in the before last row of the table below.</P>

<P><FONT SIZE="+1" FACE="Georgia" COLOR="#663300"><B>T</B>he final step in this in depth analysis of the structure of this book is the translation of this result, this <I>bhâvita</I>, into the actual titles the <I>paramparâ</I> came up with. In this respect is another element added to the story: the element of the different subjects discussed in the book. In [[bh:http://bhagavata.org/canto2/chapter10.html#Text%201">2.10: 1]] explains S'ukadeva Gosvâmî as the first philosopher-king after Krishna, the first <I>mahârâja-âcârya</I> that: '<I>In this (Bhâgavatam) there are (ten types of) statements about the following: the creation of the universe, the secondary creation, the different worlds, support (by the Lord), the creative drive, the changes of Manus, following divine instruction, returning to God, finding liberation and the Summum Bonum (description of the actions of Lord Krishna)</I>. In [[bh:http://bhagavata.org/nederlands/canto12/hoofdstuk7.html#Text 9-10"|12.7: 9-11]] he further dilates on this saying: <I>'The creation (of this universe, </I>[[bh:glossary/s.html#Sarga"><I>sarga</I>]]<I>), the subsequent creation (of different worlds and beings, </I>[[bh:glossary/v.html#Visarga"><I>visarga</I>]]<I>), the maintenance (the sustenance, the </I>[[bh:glossary/v.html#Vritti"><I>vritti</I>]]<I> or sthâna) and protection (the rakshâ or poshana of the living beings), the reigns (of the various Manus), the dynasties (</I>[[bh:glossary/v.html#Vamsa"><I>vams'as</I>]]<I>), the narrations about them (vams'a-anucaritam), the annihilation (of different kinds, </I>[[bh:glossary/p.html#Pralaya"><I>pralaya</I>]]<I> or samsthâ), the motivation (of individuality or hetu) and the supreme shelter (of the Fortunate One or apâs'raya), o brahmin, are the ten characteristic topics of a purâna as understood by the authorities on the matter; some state that relative to the greater ones, the lesser purânas deal with five'. </I>These verses inspired the <I>paramparâ, </I>the disciplic succession in the person of Swami Prabhupâda to present the book with the titles given in the last row of the table below. In fact is in his argument that what is laid out above more or less intuitively combined with these ten topics. The titles must not be seen as direct translations of these ten topics though, since they are diffusely discussed throughout the book. S'rîla Jîva Gosvâmî explicitly reminds us of the fact that <I>'one should not try to assign each of the ten topics to a particular canto. Nor should the S'rîmad-Bhâgavatam be artificially interpreted to show that it deals with the topics successively.</I>' The titles assigned by the <I>paramparâ</I> just remind one of the ten subjects as far as a certain emphasis is made by a certain canto or <I>kânda</I>. The actual in depth structure is realized by the full scope of the table below summarizing this discussion.

For the love of God, Anand Aadhar Prabhu, Enschede 22 Febr. 2006
January 02, 2008, at 12:40 PM by 213.84.172.15 -
Added lines 1-224:
!!Bhâgavata Vyûha- The structure of the S'rîmad Bhâgavatam
<B><I>or the science of realizing oneself God as the Fortunate One<BR></I></B>

<I>The S'rîmad Bhâgavatam is the spotless purâna in which,<BR>
most dear to the vaishnavas, by the topmost devotees only,<BR>
the spiritual knowledge perfectly pure and supreme is celebrated;<BR>
in there is, together with the knowledge, the detachment and the
devotion,<BR>
the freedom from all fruitive labor revealed which will deliver a
person who,<BR>
with devotion hearing and properly reading and reciting, is of
serious consideration.<I>[[bh:http://bhagavata.org/canto12/chapter13.html#Text%2018"|S.B.
12.13: 18]])</I></P></CENTER>

<B>R</B>eading
        S'rîmad Bhâgavatam one may wonder how
        Vyâsadeva came to the order of this book. The sanskrit
        text itself offers us no titles for the cantos, but the
        tradition does. So how did one arrive at these titles? The
        book itself gives us some clues to this. First of all
        describes Vyâsa in [[bh:http://bhagavata.org/canto1/chapter2.html#Text%2011"|1.2:
        11]] how the unity
        of undivided knowledge is known by a threefold discipline,
        or <I>trisâdhana</I>, specified as the science of God
        concerning the aspects of the Absolute, the <I>brahman</I>,
        the Greater Soul, the <I>paramâtmâ</I>, and the
        person of all <I>bhâga</I>, viz. excellence, fortune
        and majesty, or <I>Bhagavân</I>. Another way to
        describe these three different disciplines in one breath is
        to say that in freedom from illusion with the Spirit of the
        Absolute, one, as a soul relating to the Supersoul in
        analysis connecting with the regulative principles, has to
        arrive at the Fortunate One to be there with Him of service
        as a person of God. So the basic logic, of step by step
        attaining to love of Godhead, that is followed in this text
        is known as the art and science of arriving at the personal
        of God departing from the impersonal of the Absolute Truth.
        Though the Absolute truth is nondual of nature and, relating
        to the Supreme Soul, a matter of local culture shipping with
        duality, is the conflict of the dual versus the nondual of
        realization solved in the personal of considering the object
        of worship religiously, and the explanations of the teaching
        in the politics of spreading the message.
       
        <B>S</B>o
        despite of the nondual nature of the Absolute is it the
        mission to face the duality of the material world with the
        help of the person of God who is there as the teacher and
        the friend. This duality is traditionally in India defended
        with the different <I>darshanas, </I>or the different
        perspectives of indian philosophy. The threefold of the
        discipline combined with the duality that has to be faced,
        results in these <I>darshanas</I>. Thus is the discipline
        with the Absolute Truth known by method, <I>nyâya</I>,
        and non-illusion, <I>vais'eshika</I>, by setting up the
        argument concerning the time and the person properly in
        cantos one and two and then facing the facts of the
        manifestation of the form and norm of God in cantos three
        and four. Next has one to face the duality of matter and
        soul facing the reality of the material diversity at the one
        hand and the need to stay connected in rising above it in
        transcendence. Thus we see the <I>sâmkhya</I> and the
        <I>yoga</I> appear in the line of the argument of this
        <I>purâna, </I>of these classical stories that help us
        to realize the vedic wisdom. Though Lord Kapila, the
        <I>avatâra</I> for the analytical approach, was
        introduced already in the third canto as part of the science
        of arriving at non-illusion about the Absolute, do we get to
        see the full scope of it's effect in the fifth and sixth
        canto. Therein is presented the diversity of the person and
        the universe in relation to the Supersoul. Connecting in
        <I>yoga</I> therewith one faces the form and the norm of it
        in the cantos seven and eight where we learn to know
        <I>avatâra</I> Nrisimha and the culture of
        <I>bhakti</I> together with the founding fathers of the
        traditions defending that culture of the enlightened souls
        the way they take responsibility in the different eras of
        creation. For the realization of the personal we finally
        enter the discipline of considering the object of worship,
        called <I>mîmâmsâ</I>, the great example
        known as the Time or kâla at the one hand and the
        substance of the person or the <I>purusha</I> at the other
        hand. This is seen in the ninth and the tenth canto
        presenting us the persons found of the dynasties of the
        vedic culture in relation to the sun and the moon at the one
        hand and the person as the object of worship in the form of
        Lord Râma and Lord Krishna at the other hand. With
        Krishna we find the culmination of the discipline of oneness
        in diversity in one person, the Person of All Qualities and
        Fortune. In the last part, is the <I>vedanta</I>, or the
        final commentary presented. In canto eleven this is done in
        the form of the teachings to remember after Krishna left
        this world and is the norm of celibacy in facing the Age of
        Quarrel set by sage Mârkandeya in canto twelve, in
        which the people have difficulty keeping track with the
        classical wisdom arguing endlessly about their personal
        weaknesses in politics and a societal confusion of identity.
        So do we at this second level, accepting duality with the
        threefold respected nondual reality of the Absolute Truth,
        have the sixfold division of the <I>darshanas</I> covering
        all the different aspects of indian philosophy. </P>
       
        <B>T</B>he
        next realization at an even deeper level of order is most
        confounding: there seem to different types of logic woven
        into the story. This logic presents us with an almost
        chaotic array of stories relating to the time of the
        material universe, the person who is of or against God, the
        manifestation of the Lord in different forms and the reality
        of the religion that by tradition is needed to remember God.
        A doubter failing in the method may be in confusion about
        the purpose of the vedic discipline presented by
        Vyâsadeva. Is it all about becoming religious? Or is
        it to figure out who the Fortunate One actually is? Is it to
        sober up with the difficulties of <I>mâyâ</I>,
        the bewildering potency of the material universe with its
        operating modes or <I>gunas</I> to the eternal of Time, or
        is it all about defeating demons, the <I>asuras</I> and
        <I>râkshasas</I>, to be a pious person? To what
        purpose is the <I>bhâgavata purâna</I> there?
        Vyâsa is not so explicit in this at a meta-level. He
        simply presents us the consequence of his logic. He reasons
        about <I>avatâra, purusha, kâla</I> as well as
        about <I>dharm</I>a in a pleasant intuitive mix surprising
        us at every page. The general outline of his logic seems to
        be that departing from a certain historical respect of time,
        the person manifest in the universe as also the person of
        God in the form of the universe must be realized, after
        which the need for the hero of God, the manifestation of the
        Supreme Personality of Godhead, comes in view, for He is the
        One to lead the bewildered living beings back to His
        purpose: the <I>dharma</I> which then is delivered as the
        conclusion of the mission for all the three disciplines. So,
        in one breath said, places the time realized as a person us
        for the need of the hero, of the incarnation of the Great
        Example, to be certain on the path of our religiosity of
        finding liberation with our enlightenment in spiritual
        self-realization. So do we with this line of argument have a
        fourfold cause to reason from we in the West more or less
        already knew from Aristotele; this causal network is the
        <I>kâranata, </I>the causality of the
        Bhâgavatam. From this <I>kâranata</I> we see the
        sixfold of the different visions further divided in twelve,
        do we see the argument further diversified to the basic
        logic about self-realization. This twelvefold effect of the
        logic followed thus is laid down in the twelve books, or the
        divisions of the three hundred thirty-five chapters in this
        bible or collection of stories, or<I> samhitâ</I>,
        about the wisdom of God. Thus we get the contents, the
        <I>anukrama</I> of this book arranged chapter by chapter.
        The final result of realizing this structure, this
        <I>vyûha</I> of the <I>bhâgavata,</I> is in the
        table below presented as a permutation on the concepts of
        the <I>pratyaya </I>or the proof thus delivered. Time as the
        doer results in the proof of history. The substance of the
        universe and the logic followed is proven to be the person.
        The hero of the Lord incarnate in a certain form is the
        manifestation of that proof of the person of God and the
        religiousness of the norm set by Him is the proven duty we
        have to conclude to. Thus reasoning from the causal modes of
        history, person, manifestation and the duty we arrive at the
        result, the <I>bhâvita</I>, of the structural
        awareness of the Bhâgavatam as laid down in the before
        last row of the table below.</P>
       
        <P><FONT SIZE="+1" FACE="Georgia" COLOR="#663300"><B>T</B>he
        final step in this in depth analysis of the structure of
        this book is the translation of this result, this
        <I>bhâvita</I>, into the actual titles the
        <I>paramparâ</I> came up with. In this respect is
        another element added to the story: the element of the
        different subjects discussed in the book. In
        [[bh:http://bhagavata.org/canto2/chapter10.html#Text%201">2.10:
        1]] explains
        S'ukadeva Gosvâmî as the first philosopher-king
        after Krishna, the first
        <I>mahârâja-âcârya</I> that: '<I>In
        this (Bhâgavatam) there are (ten types
        of) statements about the following: the creation of the
        universe, the secondary creation, the different worlds,
        support (by the Lord), the creative drive, the
        changes of Manus, following divine instruction, returning to
        God, finding liberation and the Summum Bonum
        (description of the actions of Lord Krishna)</I>. In
        [[bh:http://bhagavata.org/nederlands/canto12/hoofdstuk7.html#Text 9-10"|12.7:
        9-11]] he further
        dilates on this saying: <I>'The creation (of this
        universe, </I>[[bh:glossary/s.html#Sarga"><I>sarga</I>]]<I>),
        the subsequent creation (of different worlds and beings,
        </I>[[bh:glossary/v.html#Visarga"><I>visarga</I>]]<I>),
        the maintenance (the sustenance, the
        </I>[[bh:glossary/v.html#Vritti"><I>vritti</I>]]<I>
        or sthâna) and protection (the rakshâ or
        poshana of the living beings), the reigns (of the
        various Manus), the dynasties (</I>[[bh:glossary/v.html#Vamsa"><I>vams'as</I>]]<I>),
        the narrations about them (vams'a-anucaritam), the
        annihilation (of different kinds, </I>[[bh:glossary/p.html#Pralaya"><I>pralaya</I>]]<I>
        or samsthâ), the motivation (of individuality
        or hetu) and the supreme shelter (of the Fortunate
        One or apâs'raya), o brahmin, are the ten
        characteristic topics of a purâna as understood by the
        authorities on the matter; some state that relative to the
        greater ones, the lesser purânas deal with five'.
        </I>These verses inspired the <I>paramparâ, </I>the
        disciplic succession in the person of Swami Prabhupâda
        to present the book with the titles given in the last row of
        the table below. In fact is in his argument that what is
        laid out above more or less intuitively combined with these
        ten topics. The titles must not be seen as direct
        translations of these ten topics though, since they are
        diffusely discussed throughout the book. S'rîla
        Jîva Gosvâmî explicitly reminds us of the
        fact that <I>'one should not try to assign each of the ten
        topics to a particular canto. Nor should the
        S'rîmad-Bhâgavatam be artificially interpreted
        to show that it deals with the topics successively.</I>' The
        titles assigned by the <I>paramparâ</I> just remind
        one of the ten subjects as far as a certain emphasis is made
        by a certain canto or <I>kânda</I>. The actual in
        depth structure is realized by the full scope of the table
        below summarizing this discussion.

For the love of God,
Anand Aadhar Prabhu, Enschede 22 Febr. 2006